Super 35mm CMOS sensor developed by Canon
The 8.85M sensor supports 4K DCI recording for high quality images. 2K/HD recording that takes full advantage of data from the 4K sensor.
Newly-developed Dual DIGIC DV 6
Dual DIGIC DV 6 image processors give you recording ability internally 4K UHD/50P MP4, 4K DCI RAW Light and continuous 120fps high frame rate in Full HD.
Cinema EOS RAW Light
Capturing in DCI 4K 60P/50P, this format enables internal recording of files about 1/3 to 1/5 the size of cinema RAW but with the same flexibility in grading.
MP4 UHD 60P/50P Recording
Support for UHD (3840 x 2160) 60P/50P makes long recording times possible on versatile SD cards while maintaining high image quality.
FHD 120P/100P Slow Motion Recording
You get high-speed recording with a maximum 120fps in Full HD without cropping, realising even greater emotion in visual expression.
Dual Pixel CMOS AF featured
Ground-breaking AF technology that uses a CMOS sensor with a construction that combines the functions of both imaging and phase difference AF.
Atomos Ninja Inferno
Panasonic GH5/Sony FS7/Panasonic DVX200
The Ninja Inferno unlocks the professional capability of 4Kp60 10-bit cameras,
bypassing the internal recording limitations and taking full advantage of the
sensor by recording to the camera's maximum color accuracy, color resolution and
dynamic range. Monitor and Record HDR or Rec709 up to 4:2:2 10-bit as Log high
bitrate Apple ProRes or Avid DNxHR.
Panasonic GH4/Panasonic GH5/Sony FS7
Apart from being an obvious companion for 4Kp60 cameras like the GH5, the Ninja
Inferno is the world’s first HDMI monitor-recorder to accept 4K DCI signals from
cameras like the Panasonic GH5/GH4/DVX200/HCX1000/UX180/HCX1, Sony FS7/Z100 and
the JVC LS300. Support for the 4096 DCI standard unlocks cinema recording from
these 4K video & mirrorless DSLRs.
The Ninja Inferno not only delivers the ultimate solution for 4Kp60 cameras today,
it of course also is a great monitor-recorder match for 4K 30p and HD cameras.
Delivering pristine ProRes recording, HDR monitoring of Log signals, XLR audio
monitoring, a 1500 nit daylight viewable screen and also giving you the peace of
mind of having a future proof solution for years to come.
The Ninja Inferno records from any HDMI source, including Gaming PC's and
consoles, in high frame rate HD and up to 4k 60p. Recording in high bit rate
ProRes fast tracks the efficiency in editing to speed up the turnaround time for
distribution to the internet and by capturing everything in 10-bit the high
quality gaming graphics are preserved and text overlays in editing more seamless.
Playback at Live events is possible to larger 4K or HD screens and the advanced
controls including playlist generation and slow motion will ensure the crowd feels
every crash, punch and explosion.
Grade & Edit
Mac/PC/Laptop & Desktop
The Ninja Inferno is equally adept in the editing suite as it is in the field
with the recorded files dropping directly onto the timeline of all the major NLE
editing and grading software with the HDMI input capable of accepting HDR signals
to make the Ninja Inferno an unbelievably affordable HDR reference monitor for
portable or in studio color grading.
In the field
Up your game in the field, recording to high resolution ready-to-edit ProRes or
DNxHR; confidently monitor or review in Rec709 or HDR on the 7"; calibrated
1500nit 10-bit HDR screen using the suite of scopes.
In the studio
Finish the shoot and forge ahead in the editing suite - just drop your files
directly onto the timeline, use XML tagging from the field and even take a
PQ / HLG signal from your Mac or PC to use the Ninja Inferno as a HDR grading
Latest Connectivity in a Rugged Design
Power, Video & Audio that won't let you down
The rugged case with built-in armor houses an arsenal of professional connectivity
including full size HDMI 2.0 for signals up to 4K 60p, a HDMI output for playback
or play-out to a view finder or other monitors, a hot swappable dual battery
system for continuous power backed up with DC mains connectivity, auto HDMI
start/stop recording trigger from selected Canon, Sony, Panasonic and Nikon
cameras and even conversion of interlace video from your camera to progressive
with built-in 3:2 and 2:2 pulldown.
Record the best image possible today, Assasinate MPEG
4K60p 10-bit Pro-Res & DNxHR
Recording 4K 60p within the camera might seem enough but recording with the wrong
codec restricts flexibility in post and even risks having your footage technically
rejected. Ninja Inferno records direct from the sensor as full individual frames
just like film to 4K 60p Apple Pro-Res or Avid DNxHR with 10-bit color information
and precise yet efficient 4:2:2 color encoding.
XLR for your DSLR
Professional Audio Monitor & Recorder
Monitor and record up to 8ch of embedded HDMI 2.0 24bit digital audio. Don't be
restricted by the limited audio on most HDMI cameras, truly upgrade to
professional levels. We've added an optional 48V stereo XLR breakout cable so you
can connect and power external microphones for balanced analogue audio. Audio
control is simple with dedicated meters and menus to select channels for
recording/monitoring and adjustments for frame delay and gain.
The Ultimate Monitor. Recording for free.
10bit color, 10+ stops dynamic range, 1920 x 1200 resolution
We have created the ultimate monitor through end-to-end custom engineering of all
components. It starts with a 1920x1200 resolution LCD panel, we add 10-bit
processing in highlights and equivalent 12-bit in blacks. This is achieved
through the AtomHDR engine honed from Log algorithms of every camera maker to
give the ultimate brightness and color representation. Finally the custom
Atomos-built backlight with the highest quality precision LEDs means the 1500nits
can be utilized for High Bright Rec709 or HDR at 10+ stops.
HDR made simple, included for free
Vibrant, Natural images for maximum creativity
As a creative professional you must always be ahead of the curve - today that
means HDR at 4Kp60. Ninja Inferno delivers the simplest, most cost effective and
technically superior HDR workflow. Go HDR today by setting your camera to Log,
enabling the powerful AtomHDR engine to expose vibrant natural HDR video & then
grade and edit with confidence on any Mac or PC using the Ninja Inferno as your
portable grading monitor.
High Bright for Rec709 Outdoor shooting
1500nit bright, daylight viewable monitor
The 7" 1920 x 1200 monitor not only has the resolution and pixel density to make
every shot look amazing, the high bright 1500nit screen at almost 4 times the
brightness of conventional field monitors lets you shoot outdoors without
reflections washing out your image. This makes it a great choice for gimbals,
Steadicam and director’s monitors, delivering a crisp 4K image without the bulk
and viewing angle restrictions of a sun hood.
Trust what you see
Calibrate for accurate color, Scopes for accurate exposure and focus
All monitors drift in color over time, which is why all high end monitors have
calibration. We've partnered with calibration leader X-Rite to allow their
i1DisplayPro to calibrate the Ninja Inferno.
With peace of mind on the color front, simply tap the screen to bring up focus
peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area,
Waveform, RGB parade, Vectorscope, Anamorphic desqueeze and a flexible 3D LUT
implementation to upload your own LUTs as .cube files.
Playback review with Clients & Crew
Onboard playback and play-out to larger HDR or Rec709 monitors
By combining a recorder and monitor, directors and clients can review shots away
from the camera complete with playback control, XML tagging for favorite
collation, play list generation and even play out to larger SDR or new & readily
available HDR TV's in PQ or HLG. We do all the engineering for you in AtomOS,
converting Log to PQ or HLG seamlessly completing your camera to TV pipeline.
Choose the SSD to suit your workflow
Media solutions that are affordable, time saving and convenient
The Master Caddy system is our secret weapon for recording media flexibility.
High capacity and widely available 2.5" SSD's provide an affordable solution for
long recording times, G-Technology have a custom Atomos caddy that integrates
directly into their EV series of Raid and desktop solutions and the Angelbird
4KRAW series integrates heat sinks and a release grip into a custom Atomos caddy
for high frame rate and CDNG recording.
Sensor Super 35mm type CMOS
System RGB primary colour filter (Beyer array)
Total pixels per sensor Approx. 9.84 megapixels (4206 x 2340)
Effective pixels per sensor Approx. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1080 is selected as the resolution
Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1080 is selected as the resolution
Dynamic Range 13 Stops (Canon Log3)
Type Dual DIGIC DV6
Lens Mount Canon EF Mount
Lens Magnification Factor (for EF Mount lenses, including Cinema Primes) At 4096 x 2160 or 2048 x 1080 resolution: Actual focal length x approx. 1.460
At 3840 x 2160 or 1920 x 1080 resolution: Actual focal length x approx. 1.534
Changeable Lens Mount Yes, mount change to PL mount possible via Canon Service centre (Paid for service)
Peripheral illumination correction Yes with compatible lenses
ND filter Clear, 2, 4 ,6, 8, 10-stop
Focus control Manual via lens, manual via RC-V100 Auto Focus (Dual Pixel AF Approximately 80%(vert.),80%(horiz.))
Iris control Manual Via camera body or RC-V100, fine, 1/2 or 1/3 step increments, Auto (with compatible lenses), Push Auto Iris
Image stabilization system Depends on lens used
RAW Recording options RAW (Cinema RAW Light)
Internal Recording Cinema RAW Light, MP4
Recording time (CFast 2.0card) 128GB card 15 Mins (4K Cinema RAW Light 1Gbps VBR)
Recording time (SD Card) 128GB card 110 mins (MP4, 150Mbps) 485Mins (MP4, 35Mbps)
Recording Formats Cinema RAW Light, (CFast 2.0) MP4 XF-AVC (SD card. XF-AVC1)
Recording Frame Rate (1) 59.94 Hz mode (59.94P/29.97P/23.98P)
(2) 50.00 Hz mode (50.00P/25.00P)
(3) 24.00 Hz mode (24.00P)
Slow/Fast motion YES
Interval Record YES
Frame Record YES
Pre Record (cache record) YES, 3 seconds
Relay Recording YES, SD Card recording only
Double Slot (simultaneous) Recording YES, SD Card recording only
Scan Reverse NO
HD-SD conversion NO
Photo storage media SD Card
Photo Recording Size 2048×1080 (when video image resolution is 4096×2160/2048×1080)
3840×2160 (when video image resolution is 3840×2160)
1920×1080 (when video image resolution is 1920×1080)
Wave Form Monitor YES
Colour Bars YES, SMPTE / EBU / ARIB
Zebra YES. Zebra 1 Level 5 5% to 95 5% in 5 percentage point intervals (70 5%)
Zebra 2 Level: 0% to 100% in 5 percentage point intervals (100%)
Markers YES, Centre, Horizontal, Grid Aspect Ratio(4:3 / 13:9 / 14:9 / 16:9 / 1.375:1 / 1.66:1 / 1.75:1/1.85:1 / 1.90:1 / 2.35:1 / 2.39:1 / Custom), Safe Area (80% / 90% / 92.5% / 95%)
Built- In EVF YES. 1.77M dots
Optional EVF Accessory Canon EVF-V70 (Also requires CL-V2 bracket)
Display Panel 4 inch/10.1cm diagonal LCD Monitor. Touch panel. Approx., 1.23M dots
Audio in XLR x2, 3.5mm Audio, AES/EBU digital or Analog Audio input, Line, Mic, +48V Phantom Power supported
Headphone output YES
HDMI YES, HDMI 2.0, output only. Max. output resolution 3840 x 2160.Timecode out compatible
USB YES. Mini-B Hi-Speed USB
3G/HD-SDI output YES x 1.BNC jack
Video [HD]:SMPTE 292. [3G]:SMPTE 424, SMPTE 425
Audio [HD]:SMPTE ST 299-1. [3G]:SMPTE ST 299-2, Output impedance 75 , Output signal level 0.8 Vp-p
Time code NO
Component out NO
AV terminal NO
DC Output NO
DC input YES, 14.4V DC (Battery), 16.7V DC (DC-In)
Power Consumption 50.00P: Cinema RAW Light/MP4; 18.5W (Approx.)
Continuous Recording Time (battery) BP-A30 (3100mAh) 130 Min (Approx.) BP-A60 (6200mAh) 280 Mins (Approx.)
Cinema Raw Light/4096 x 2160 or MP4/3840 x 2160 recording
Remote Control Terminal YES, 2.5mm proprietary connector
Wireless Control Terminal Built-in Wi-Fi. FTP and Browser Remote/Preview
Lens terminal NO
Ethernet terminal YES. FTP CAPABLE, MP4 files only
Video connector (For Monitor or EVF) YES, Canon proprietary connection
Tally lamp YES
Custom Dial YES
Exposure metering (a) Standard (centre-weighted metering)
(c) Backlight (compensation)
Exposure compensation AE shift function . The target value (8 steps from centre) for the brightness can be set. Indicated as exposure values (EV). (2.0, 1.75, 1.5, 1.25, 1.0, 0.75, 0.5, 0.25, and 0) are displayed on the screen as AE
Push Auto Iris YES
Exposure Lock NO
Auto Gain Control setting NO
Auto Focus System Dual Pixel CMOS AF supported
Manual focus, one-shot AF, continuous AF, AF-Boosted MF, face detection AF (only lenses that support AF functions can be used in any of these modes), focus guide
AF Frame Sizes Large; size equivalent to approx. 20% (vertical) x 25% (horizontal) of the image display range;
Small; size equivalent to approx. 20% (vertical) x 8% (horizontal) of the image display range
Auto Focus Modes One-Shot AF, Continuous AF and AF-Boosted MF are the available modes. All of these modes take effect when the AF/MF switch of the EF lens is at the AF setting.
One-Shot AF: AF is performed only while the one-shot button to which it has been assigned is held down. No further lens movement is permitted after focusing.
Continuous AF: AF control is performed at all times.
Face Detection AF Face Priority: AF is set to face frame when a face is detected, to tracking frame when tracking, and AF frame when there is no face or tracking.
Face Only: Switches to face frame when a face is detected, to tracking frame when tracking, and MF when there is no face or tracking. In both Face Priority and Face Only, the face to detect can be selected with the joystick.
Focus Guide Available; displays focus status or unfocused status using the AF signal.
Control Modes Manual only
Shutter speed 1/3 stop display: 1/1, 1/1.26, 1/1.59, —, 1/1600, 1/2000 (total of 34 settings)
1/4 stop display: 1/1, 1/1.19, 1/1.41, 1.68 —, 1/1700, 1/2000 (total of 45 settings).
The slowest speed will differ depending on the frame rate setting.
Shutter Angle 360.00, 240.00, 180.00, 120.00, 90.00, 60.00, 45.00, 30.00, 22.50, 15.00, 11.25
Also, angle values equivalent to 1/120, 1/60, 1/40, 1/30, 1/100, 1/50, 3/100, and 1/25 are selectable within the minimum angle range from 360.
Stored Configurations PRESET: Canon Log 3/Canon Log /BT.709/Off
GAMMA: Canon Log 3/Canon Log/Wide DR/Normal 1 (Standard)/Normal 2 (x4.0)/Normal 3 (BT.709)/Normal 4 (x5.0)
COLOUR MATRIX: Neutral/Production Camera/Cinema EOS/Original /Video/ Off
Storage Medium Internal, SD Card
Master Pedestal 0 50
Master Black Red 0 50
Master Black Green 0 50
Master Black Blue 0 50
Black Gamma 0 50
Low Key Saturation 0 50
Knee Point + 50 – 95 – +109
Knee Slope -35 – 0 – +50
Knee Saturation 0 – 10
Sharpness Level -10 – 0 – +50
Noise reduction Off / 1 – 12
White balance Red/Blue Gain 0 – +50
Setup level (0 – 50)
Wi-Fi & GPS Specifications
GPS Information (Optional Accessory) Location (latitude, longitude and altitude) and GPS information using Coordinated Universal Time (UTC) can be added to RAW movies, MP4 movies and photos. Satellite data acquisition status can be checked in camera mode.
W-Fi Specification Standard: IEEE 802.11b/g/n (2.4 GHz band), IEEE 802.11a/n (5 GHz band) (not supported in Qatar, Indonesia or Iraq) IEEE 802.11b/g/n (2.4 GHz band) IEEE 802.11n/11a (5 GHz band): Differs depending on the models destination.
Authentication: Open system, WPA-PSK, WPA2-PSK
Encryption systems: WEP-64, WEP-128, TKIP, AES
Auto YES. Shockless WB available
Preset Daylight (5600K), Tungsten (3200K)
Manual Setting Preset A/B, Colour Temperature Setting: 2000K – 15000K
Black balance adjustment Auto Black Balance Adjustment
Countup system Regen, RecRun, FreeRun, TC Hold. Drop Frame /NonDrop Frame ( DF/NDF) in 59.94P/29.97P mode only
Recording Cinema RAW Recording: Linear PCM: 16-bit / 48 kHz / 4 channels
MP4: MPEG-4 AAC-LC (16-bit / 48 kHz / 2 channels), Linear PCM (16-bit / 48 kHz / 4 channels)
Dimensions (Main Body Only) Approx. 144 x 153 x 179 mm (5.7 x 6.0 x 7.0 in)
Weight (Body Only) Approx. 1430g (3.2lb)
Operating Temperature range Approx. 0 to 40C, 85% (relative humidity)
Approx. -5 to 45C, 60% (relative humidity)
|Without batteries & media||630g / 22.2oz|
|With batteries & media||1074g / 37.9oz|
|Dimensions (W x H x D mm)||214 x 127 x 45mm, 8.4 x 5 x 1.8”|
|Construction||High quality lightweight ABS Polycarbonate for durability & portability|
|Built-in armor protection|
|Operating power||10 - 33W|
|Compatible batteries||NP-F series and supporting accessories|
|Input voltage (battery)||6.2V to 16.8V|
|Battery time (based on 7.4V)||-|
|5200mAh - up to 1.5hrs (monitor & record 4K 30p)|
|7800mAh - up to 2.2hrs (monitor & record 4K 30p)|
|DC In||1 x DC in (6.2 - 16.8V)|
* Patent pending
|Primary-secondary battery system.
Change batteries without losing power
Loop batteries continuously
|Resolution||1920 x 1200|
|Aspect ratio||16:9 native|
|Color Gamut||REC709 HDTV|
|Look up table (LUT) support||3D LUT (.cube format)|
|Anamorphic de-squeeze||2x, 1.5x, 1.33x, Panasonic 8:3|
|Technology||SuperAtom IPS panel (capacitive touch),
calibration to Rec.709 with optional calibration unit
|Supported Log formats||Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
|Supported Gamuts||Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
|Bit depth||10-bit (8+2 FRC)|
|Brightness||1500nit (+/- 10%)|
|HDR input (PQ/HLG)
HDR output (PQ/HLG)
|Yes / Yes
Yes / Yes
|Video input/loop out|
|HDMI||1 x HDMI (2.0)|
|Signal||Uncompressed true 10-bit or 8-bit 422
|Video output (play out)|
|HDMI||1 x HDMI (2.0)|
|Signal||Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
|Supported loop out formats|
|HDMI to HDMI||720p 50/60, 1080i 50/60,
|Supported Codecs & frame rates (record & playback)|
|Video to ProRes / DNxHR
(DNx utilizes a .MOV wrapper)**
Brand / Model / Codec
Refer camera compatibility list; atomos.com/cameras
ProRes (HQ, 422, LT) DNxHR (HQX,HQ,SQ,LB)
Resolution / Framerate
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
1080p; 24/25/30/50/60/100^/120^ 1080i; 50/60i
|Pulldown removal||24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
|4K UHD downscaling||Yes - Loop-out and playback|
|Audio in/out (48kHz PCM audio)|
|HDMI||2 or 8ch 24-bit, camera dependent|
|Audio||2ch balanced XLR analog in/out
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
|HDMI||Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
|Other||LANC control - Slave|
|Playlist / Genlock / LTC||Yes / No / No|
|CDNG (Recorded content)||N/A|
|ProRes (Recorded content)||All recorded files can playback. Playback in slow motion >= 100fps|
|DNxHR / DNxHD (recorded content)||All recorded files can playback. Playback in slow motion >= 100fps|
|Pre-roll record||Yes (HD 8s, 4K 2s)|
|Meta data tagging||Yes (10 tags available)|
|Supported media||2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives|
|Master caddy case||Master Caddy II (included)
75mm x 105mm x 12mm
|Master caddy dock||2.5” SATA to USB 2.0/3.0|
|Supported applications||Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
|XML support||FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools|
|Accessories included||Ninja Inferno unit, Master Caddy II x 1,
12V-3A AC power supply
Accessory Kit: 2 x battery, 1 x charger,
1 x power supply, HPRC case, USB dock, control cable,
Dtap cable, Master Caddy x 4, Power supply, Sun hood
Power Kit: 2 x battery, 1 x charger,
1 x power supply
Other: Atomos HDMI cable,
X-Rite i1DisplayPro calibration
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
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