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Olympus OMD E-M1 Mark II Body & 12-100mm f4.0 IS PRO Lens

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Olympus OMD E-M1 Mark II Body Details

High-speed sequential shooting that changes the world of photography: Olympus OM-D E-M1 Mark II


The OM-D E-M1 Mark II possesses high-speed performance that cannot be imitated. By developing the 20M Live MOS sensor together with the TruePic VIII image processor, not only has image quality exponentially improved from past OM-D models, but high speed performance of 18 fps in AF/AE tracking and 60 fps in AE/AF lock have been realised. The electronic viewfinder provides smooth and fast display at a 120-fps frame rate and a 0.005-second display time lag, so you will never miss a shot. These cutting-edge technologies are packed into a compact, lightweight, and weather-resistant body, allowing you to shoot beautiful images in the most brutal environments. In addition to all of the functions the camera comes with, firmware updates will become available to further enhance photographic performance and keep your E-M1 Mark II in the best condition possible. The new flagship OM-D will change the world of photography.

A flagship model with 121-point all cross-type On-chip Phase Detection AF, offers a 18 fps high-speed sequential shooting in AF/AE tracking.

The Olympus OM-D E-M1 Mark II is equipped with the newly developed
high-speed TruePic VIII image processor that is 3.5 times faster than
previous processors, and the new 20.4 Megapixel Live MOS sensor
equipped with a 121-point all cross-type On-chip Phase Detection AF
sensor for better image quality and faster speed than ever before. Even in
AF and AE tracking, 18 fps high-speed sequential shooting is possible at
20.4 Megapixel for both excellent image quality and high-speed
performance.

 

Feature Highlights


1. High-speed sequential shooting and
AF performance for capturing split-
second moments, and maximum 18
fps sequential shooting
performance in AF/AE tracking

2. Dustproof, splashproof and
freezeproof (-10°C) performance in
a compact, lightweight design for
both excellent mobility and reliability

3. Excellent image quality achieved
with the high-speed TruePic VIII
image processor and 20.4
Megapixel Live MOS sensor

4. Advanced in-body 5-axis Image
Stabilization and Electronic
Stabilization provide beautiful hand-
held image quality and support for
4K-compatible OM-D Movie

5. Silent mode and other original
Olympus shooting features expand
the realms of shooting

6. ISO 64 equivalent ISO LOW setting

7. Ultra high-resolution image quality
with 50MP High Resolution Shot

8. HDMI Monitor connection and Rec
Sync for pro movie shooting

9. Focus Stacking mode / Focus
Bracketing

10. Live Composite / Live Bulb shooting

 


Olympus M.Zuiko Pro 12-100mm F4.0 Black Lens Details

 

The M.Zuiko Digital ED 12-100mm F4.0 IS PRO zoom lens was designed and developed to provide excellent image quality and high magnification, all in a compact size. When combined with a Sync-IS-compatible camera, 5-axis Sync IS can be utilized, delivering the world's most powerful stabilisation performance equivalent to 6.5 shutter speed stops.[1] This is a professional high-magnification zoom lens that truly meets the demands of professional photographers.

Professional high-magnification zoom
Unrivaled mobility
Excellent image quality and high magnification in a compact size
A fast, constant f/4.0 aperture throughout the entire zoom range
MSC mechanism for high-speed, high-precision FAST AF
Lens coating that keeps images clear
Compatible with 5-axis Sync IS
World's most powerful stabilisation performance equivalent to 6.5 shutter speed stops[1]
Allows recordng video with minimal shake
1.5-cm working distance for fantastic close-ups
Reliable dustproof and splashproof construction
Renowned quality and operability of the PRO series
Separately available lens accessories

The M.Zuiko ED 12-100mm F4.0 IS PRO is a compact zoom lens designed to provide excellent image quality and high-magnification, meeting the demands of professional photographers.
Unrivaled mobility
Excellent image quality required by professional photographers is delivered throughout the entire zoom range, from the 24mm[1] wide angle end to the 200mm[1] telephoto end. The performance of two competitor lenses[2] is packed into this one lens, providing outstanding mobility for the photographer. Wide-angle shots, telephoto shots, macro shots, nightscapes, and movies can all be taken with this one lens.
Competitor Comparison
Comparison
Competitor
M.Zuiko Digital ED 12-100mm F4.0 IS PRO
35mm-equivalent focal length
1. 24mm - 70mm
2. 70mm - 200mm
1. 24mm - 200mm
Maximum aperture
f/4.0
f/4.0
Exterior


Weight
1300 g or more (2 lenses combined)
561 g
Optical design that realizes optimal performance and mobility

This lens lavishly uses special lens elements for excellent image quality and high magnification in a compact size.

DSA (Dual Super Aspherical) lens
Aspherical lens
ED (Extra-low Dispersion) lens
Super HR (High Refractive Index lens) lens
HR (High Refractive Index) lens
Image stabilising lens
Focus driving lens
Excellent image quality
Four aspherical lenses including a DSA lens are effectively placed to suppress aberrations that may occur when zooming. Five ED lenses suppress colour bleeding that tends to occur at the telephoto end, and secure image quality to the very edges of images throughout the entire zoom range.
Compact, lightweight package
DSA lenses and Super HR lenses are used to keep the number of lenses in the configuration to a minimum. Also, DSA lenses are made of glass with a higher refractive index than previous products, making the lens more compact.
Constant f/4.0 at any focal length
A maximum aperture of f/4.0 is delivered throughout the entire zoom range from wide-angle to telephoto, overturning the conventional wisdom that the telephoto side of a zoom lens is always darker.
The MSC mechanism: what makes high-speed, high-precision FAST AF possible
The MSC (Movie and Still Compatible) mechanism is an advanced inner focusing mechanism providing fast, smooth, quiet, and accurate auto-focusing. It is made possible by Olympus high-precision lens fabrication technology which makes the focusing lenses lighter. This not only contributes to the speed and precision of focusing, but also to keeping the lens compact. With Face Detection AF and Eye Detection AF available on Olympus interchangeable cameras, auto-focusing is taken to another level.
Z Coating Nano helps produce clear images

The new Z Coating Nano technology is used on this lens to thoroughly suppress ghosts and flares, providing the photographer with sharp, clear images. By coating the lens surface with a layer of nanoscale-size particles filled with air, a coating layer with a similar refractive index as air is achieved, for reduced surface reflection.

Air
Nanoparticles
Incident light
Reflected light
Vapor deposit film
Lens
Compatible with 5-axis Sync IS
The M.Zuiko Digital ED 12-100mm F4.0 IS PRO includes an in-lens image stabilisation system, which, when combined with the Olympus camera[3] in-body 5-axis image stabilisation, makes 5-axis Sync IS possible.
World's most powerful stabilisation performance equivalent to 6.5 shutter speed stops

5-axis sync IS achieves 6.5 shutter speed stops[3] of stabilisation performance. On its own, the lens achieves 5 shutter speed stops[4]of stabilisation performance.
Record videos with minimal shake
Using 5-axis Sync IS makes it possible to suppress shaking that tends to occur when recording videos.
1.5-cm working distance for fantastic close-ups
Despite being a high-magnification zoom lens, it possesses incredible close-up shooting capabilities with a working distance of 1.5 cm.

 Angle of view
Working distance
Closest focusing distance
Shooting magnification (35mm-equivalent in parentheses)
Wide angle
1.5 cm
15 cm
0.30x (0.60x)
Telephoto
27 cm
45 cm
0.21x (0.42x)

Reliable dustproof and splashproof construction

Hermetic sealing in 12 locations protects against ingress of dust and water droplets, making it possible to shoot in any situation without worry.
Renowned quality and operability of the PRO lens series
The Olympus PRO lens series features both superb design and controls.
Elegant design

The exterior of the M.Zuiko Digital ED 12-100mm F4.0 IS PRO provides a premium feel that only a metal-bodied lens can provide.
Superb controls
 
Manual Focus Clutch mechanism
IS switch
L-Fn button
Manual Focus Clutch mechanism
The MF (manual focus) Clutch provides instant switching between auto and manual focusing. Simply pull the focus ring toward you to switch from autofocus to manual focus to shoot at your desired focus distance.
IS (lens image stabilisation) switch
This lets you instantly turn image stabilisation on or off.
L-Fn button
On the lens barrel is a customisable button to which a function of your choice can be assigned, via the camera. Once assigned, a simple push of this button will activate and deactivate your function of choice.


Olympus OMD E-M1 Mark II Body Specifications

 

 

Product type   Micro Four Thirds interchangeable lens system camera
Memory SD, SDHC[1], SDXC[1], Eye-Fi Card compatible[2]
  • 1 Slot1: UHS-I, II compatible, Slot2: UHS-I compatible.
  • 2 Not compatible with Endless Memory.
Sensor size 17.4 mm (H) x 13.0 mm (V)
Lens mount Micro Four Thirds Mount

Image Sensor

Product type 4/3 Live MOS Sensor
Number of pixels / aspect ratio Number of effective pixels: Approx. 20.4 million pixels
Total number of pixels: Approx. 21.8 million pixels
Aspect ratio: 1.33 (4:3)
Dust reduction Supersonic Wave Filter (image sensor dust reduction system)

Recording (Still)

Recording format DCF2.0, Exif2.3
File format RAW (12-bit lossless compression), JPEG, RAW+JPEG
Recording image size [RAW] 5184 x 3888 pixels
[JPEG] 5184 x 3888 pixels - 1024 x 768 pixels
Dual Slot Settings Standard, Auto Switch, Dual Independent, Dual Same
  • When two cards are inserted, the card to be saved on to or to be viewed can be designated.
Folder creation and selection With
Copy Copy single file, copy multiple files, copy all
  • When copied, the new file will be given a different name from that of the original file.

Image Stabilisation System

Type Built-in 5-axis sensor-shift image stabilisation for movie and still photos
  • yaw / pitch / roll / vertical shift / horizontal shift
Mode 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF
Live View image stabilisation Activation by half-pressing shutter button or enlarging the view
Focal length setting 11 settings: 10 programmable settings (10 lenses), 1 open setting
Lens IS priority With
5 axis Sync IS With
  • *When using M.Zuiko Digital lenses equipped with image stabilisation
Stabilisation performance 5.5 EV
  • *Based on CIPA measurement conditions. When using M.Zuiko Digital ED 12-40mm f/2.8 PRO (focal length =40mm (35mm equivalent: 80mm))

Finder

Finder type Eye-level electronic viewfinder, approx. 2.36M dots
Field of view / Viewfinder magnification Approx. 100% / Approx. 1.30x[1] - 1.48x[2] (-1m-1, 50mm lens, Infinity)
  • 1: Finder Style 1, 2 (aspect ratio 4:3)
  • 2: Finder Style 3 (aspect ratio 4:3)
Eye point / Dioptre adjustment range Approx. 21 mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1
Preview Live View preview with depth of field preview lock
Display Grid Off / normal grid / trichotomy / golden grid / scale / diagonal / movie grid
  • grid colour is selectable
Level Gauge 2-axis (horizontal/vertical) level gauge
Finder Style 3 styles
Brightness and Colour Temperature Control Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual colour temperature control
S-OVF (Simulated OVF) Expands the Live View dynamic range.
  • Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF.
Eye Cup Optional eyecup EP-13 is available.

Live View

Live View Approx. 100% field of view,
exposure compensation preview, WB adjustment preview,
gradation preview, face detection preview (up to 8 faces),
grid line, magnification display (x3 / x5 / x7 / x10 / x14),
Display modes: Standard, Histogram, Highlight & Shadow, Level Gauge, Off (Image Only)
Preview Preview with depth of field preview lock
Live View Boost Live View Boost 1 , Live View Boost 2 (slow frame rate for dark areas)
  • Settings can be assigned for each shooting mode
  • Exposure compensation will not be applied

Monitor

Monitor type 3.0-inch vari-angle monitor
  • Approx. 1037k dots (3:2), electrostatic capacitance touch panel
Touch control Shutter release, magnification, AF area selection, AF area size adjustment, AF target pad, frame forward/backward, magnified playback, Live Guide, Super Control Panel, Wi-Fi connection, movie controls, movie effects, movie teleconverter , selfie controls (shutter release, e-Portrait, custom self timer)
Tilting capability With (mirror display when monitor is in self portrait position)
Brightness / Colour temperature control ±7 levels / ±7 levels
Colour tone select Vivid / Natural

Focusing

AF system High-speed imager AF: Imager phase detection AF and imager contrast AF (active AF automatically selected by camera; when a Micro Four Thirds lens is attached, imager phase detection AF is always selected)
Focusing point 121-point cross-type phase detection AF and 121-point contrast AF
Focusing point selection mode All target, group target (9-area or 5-area), single target
Focus mode Single AF (S-AF) / Continuous AF (C-AF) / Manual Focus (MF) / S-AF + MF / AF tracking (C-AF + TR) / Preset MF[*]
  • Distance setting values are rough estimates and not compatible lens except the AF lens.
AF performance C-AF lock (5 steps), AF scanner (3 types)
AF limiter With (Fn button can be assigned to On/Off; can save 3 settings)
  • Distance setting values are rough estimates.
AF targeting pad With (activate / deactivate with double tap on rear monitor)
Magnified frame AF 3x , 5x , 7x , 10x , 14x
  • Autofocusing is possible in the magnified frame; can be assigned to button to turn magnify frame AF on and to activate magnification; touch icon on monitor to turn off; enables selection of AF point from over 800.
Super spot AF With (Contrast AF in center of the monitor when magnified)
  • Available only when a Micro Four Thirds lens is attached.
Face detection AF / Eye detection AF With (Eye Detection AF mode : off / nearer-eye priority / right-eye priority / left-eye priority)
Manual focus assist Focus ring rotation activates Live View image magnification and / or focus peaking when in S-AF+MF or MF mode
Peaking function Activate with Fn button or focus ring
Change peaking settings using the Info button
Colour selection: white, black, red, yellow
Intensity selection: high, normal, low
Back light effect: on, off
AF Focus Adj. Adjust all, adjust by lens (for Phase detection AF only)
AF illuminator With

Exposure Control (Still)

Metering system
(TTL Image sensor metering)
Digital ESP metering (324-area multi pattern metering), centre-weighted average metering, spot metering[*], spot metering with highlight control, spot metering with shadow control
  • Also available AF target spot metering
Metering range EV- 2 - 20 (using 17 mm f/2.8, ISO 100)
Exposure mode / Shooting mode iAuto (Live Guide can be used), P: program AE (programme shift can be performed), A: aperture priority AE, S: Shutter priority AE, M: Manual (Live Bulb, Live Time and Live Composite are available), Custom 1?3, Art Filter, Underwater wide / Underwater macro (to be assigned to the Fn1 button)
Live Guide Saturation, Colour, Brightness, Background Blur, Expressing Motion, Shooting Tips
  • Multiple effects can be used simultaneously.
ISO sensitivity AUTO ISO (default) : LOW (approx. 64) ? 6400 with customizable upper limit (200 - 6400)
Manual ISO : LOW (approx. 64), 200 - 25600 (adjustable in 1/3 or 1 EV steps)
Exposure compensation ±5 EV, adjustable by 1/3, 1/2 or 1 EV steps
When shooting in HDR or in video, only adjustable up to ±3 EV steps
Live View only reflects up to ±3 EV steps
AE lock Locks with a half-press of the shutter button, AEL / AFL button (can be set to Fn button as well)

Shutter

Shutter type [Focal-plane shutter (mechanical shutter)]
1/8000 - 60 sec., with selectable EV adjustment steps (1/3, 1/2, 1)
  • Live Bulb / Live Time: selectable exposure time (1 / 2 / 4 / 8 / 15 / 20 / 25 / 30 min.), with 8-min. default setting. Live Composite: maximum shooting time 3 hours

[Electronic first curtain shutter (Anti-shock mode)]
1/320 - 60 sec.
[Electronic shutter (Silent mode)]
1/32000 - 60 sec.

Drive

Sequential shooting maximum speed [Sequential shooting H]?approx. 15 fps with selectable 10-15 fps
[Sequential shooting L]?approx. 10 fps with selectable 1-10 fps
[Anti-shock sequential shooting L]?approx. 8.5 fps with selectable 1-8 fps
[Silent sequential shooting H]?approx. 60 fps with selectable 15, 20, 30, 60 fps
[Silent sequential shooting L]?approx. 18 fps with selectable 1-10, 15, 18 fps
[Pro Capture H]?approx. 60 fps with selectable 15, 20, 30, 60 fps
[Pro Capture L]?approx. 18 fps with selectable 1-10, 15, 18 fps
  • *When using the M.Zuiko Digital ED 12-40mm f/2.8 PRO
  • *Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting.
  • *When in Pro Capture mode, slower shutter speeds and flash cannot be used.
  • *Pro Capture Mode is available only when an Olympus M.Zuiko Digital lens is attached.
  • *In Pro Capture Sequential L, the minimum aperture is f/8.
  • *When ISO is 8000 or above, the maximum sequential shooting speed is 30 fps, and the actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above.
  • *Focus and exposure are fixed at the values of the first shot when using sequential shooting H.
  • *Maximum sequential shooting speed is 8.5 fps for anti-shock sequential shooting L, even when set to 9 or 10 fps.
Sequential shooting frame count 1- 99 frames
Pre-shutter Frames
  • For Pro Capture mode
Number of frames recorded prior to full-press of the shutter button can be set from 0 to 14 frames.
Sequential shooting maximum recordable frames [Sequential shooting H 15fps] RAW: Max. 84 frames, JPEG (LN): Max. 117 frames
[Sequential shooting L 10fps] RAW: Max. 148 frames, JPEG (LN): Until card is full
[Silent sequential shooting L 60fps] RAW: Max. 48 frames, JPEG (LN): Max. 48 frames
[Silent sequential shooting L 60fps] RAW: Max. 77 frames, JPEG (LN): Max. 105 frames
  • *When using the M.Zuiko Digital ED 12-40mm f/2.8 PRO and the Toshiba SDXU-B032G memory card with standard card setting in slot 1.
Self-timer Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5 / 1 / 2 / 3sec., Number of shots: 1-10, Every time AF: ON/OFF)

Flash

Flash intensity control method TTL Auto, Auto[*], Manual, Super FP[*] (FP-TTL AUTO, FP-MANUAL)
  • Available on the external flash
Bundled standard flash FL-LM3 (dustproof and splashproof flash)
GN = 9.1 (ISO100?m) / GN = 12.9 (ISO200?m)
Bounce Capability (up and down: 45, 60, 75, 90 degree / left and right 30, 60, 90, 120, 150, 180 degree)
  • Powered by the camera
Flash mode Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64)
Synchronisation speed 1/250 sec.
  • When using Super FP: 1/125-1/8000 sec.
  • When using electronic shutter:?1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing
Flash intensity control Up to ±3 EV in 1/3, 1/2, 1 EV steps selectable
Compatible external flash FL-50R, FL-36R, FL-20, FL-14, FL-300R, FL-600R, FL-900R, STF-8

Wireless Flash Control

Compatible external flash FL-50R, FL-36R, FL-300R, FL-600R, FL-900R
Control method Triggered and controlled by Olympus Wireless RC Flash system compatible flashes: included FL-LM3 or separately available FL-600R and FL-900R, STF-8
External Flash intensity type TTL Auto, Auto, Manual, FP-TTL-AUTO, FP-MANUAL
Channel 4 channels
Group No. 4 groups (External flash 3 groups + commander flash)

White Balance

White balance mode Auto WB, 7 Preset WBs, 4 Capture WBs, Custom WB(Kelvin setting)
White balance compensation ±7 steps along A-B / G-M axis (Except for Custom WB)

Colour Mode

Colour matrix sRGB, Adobe RGB

Picture Mode

Mode i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, e Portrait, Underwater, Colour Creator, Art Filters
Gradation Auto, Normal, High Key, Low Key [except when using i-Enhance, Underwater, Art Filters, Color Creator]
Hilight and shadow control ±7 steps each for highlight, shadow, midtone

Art Filter

Art Filter
(Variation / Art Effect)
Pop Art (I, II / a.b.c.d.e.f)
Soft Focus ( - / c.e)
Pale & Light Colour (I, II / a.b.c.d.f)
Light Tone ( - / d.f)
Grainy Film (I, II / b.c.d.g.h)
Pin Hole (I, II, III / d)
Diorama ( I,II / d)
Cross Process (I, II / b.c.d.f)
Gentle Sepia ( - / a.b.c.d.f)
Dramatic Tone (I / b.c.d.e.f) (II / b.c.d.e.f.g.h)
Key Line (I, II / a.b.c.d.e)
WaterColour (I, II / a.b.c.d)
Vintage (I, II, III / a.b.c.d.e.f.i)
Partial Colour (I, II, III / a.b.c.d.e.f)
Detail of Art Effect a. Soft Focus Effect
b. Pin-Hole Effect
c. White Edge Effect
d. Frame Effect
e. Star Light Effect
f. Blur Effect (Top & bottom, Left & Right)
g. B&W Effect (None, Yellow, Orange, Red, Green)
h. Pict. Tone (None, Sepia, Blue, Purple, Green)
i. Shade Effect (Top & bottom, Left & Right)
Colour Ring (for partial color) 18 colour selectable

Colour Creator

Colour Creator Colour pattern : 30 colours / Saturation setting -4 ~ +3

Bracketing

Exposure bracketing 2, 3 or 5 frames in 0.3 / 0.7 / 1.0 EV steps selectable, 7 frames in 0.3 / 0.7EV steps selectable
ISO bracketing 3 frames in 0.3 / 0.7 / 1.0 EV steps selectable
White balance bracketing 3 frames in 2, 4, 6 selectable steps for A-B/G-M axis.
Flash bracketing 3 frames in 0.3 / 0.7 / 1.0 EV step selectable
Art Filter bracketing i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Colour Creator selectable
Focus bracketing 3 to 999 shots, focus steps adjustable from 1 to 10 (compatible with Micro Four Thirds lenses)
Focus stacking 8 shots are taken at different focus points and automatically composited together into a single image
  • Angle of view becomes slightly smaller
  • Compatible with :
    M.Zuiko Digital ED 60mm f/2.8 Macro
    M.Zuiko Digital ED 12-40mm f/2.8 PRO
    M.Zuiko Digital ED 40-150mm f/2.8 PRO
    M.Zuiko Digital ED 30mm f/3.5 Macro
    M.Zuiko Digital ED 7-14mm f/2.8 PRO
    M.Zuiko Digital ED 8mm f/1.8 Fisheye PRO
    M.Zuiko Digital ED 300mm f/4.0 IS PRO

HDR Function

HDR(Auto composite) HDR1, HDR2 (painting-like)
  • ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec.
  • Exposure compensation can be performed.
Bracketing for HDR post process 3 or 5 frames in 2.0 or 3.0 EV steps, or 7 frames in 2.0 EV steps.
  • This sequential shooting H AE bracketing is specifically for shooting images that will be HDR-processed on a PC.

Keystone Compensation

Keystone Compensation With (can be confirmed in Live View)
  • Horizontal and vertical compensation can be performed simultaneously.

High Res Shot

Resolution Equivalent to 50 megapixels / 25 megapixels (8 shots combined into a single JPEG using sensor shift)
  • Available in P/A/S/M mode, RAW+JPEG or JPEG.
  • JPEG: 8160 x 6120(50M) 5760 x 4320(25M) / RAW: 10368 x 7776
  • RAW data can be developed in-camera. Development by PC is possible with Olympus Viewer 3 ver. 2.0
Shutter Type Electronic shutter
Shutter Speed 1/8000 - 60 sec.
Shutter start delay 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30sec.
Charge Time 0, 1, 2, 4, 8, 15, 30sec.

Anti-shock Mode

Shutter Type Electronic first curtain shutter
Shutter Speed 1/320 - 60 sec.
  • For speeds over 1/320 sec., mechanical shutter will automatically be selected.
Shutter start delay 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30 sec.

Silent Mode

Shutter Type Electronic shutter
Shutter Speed 1/32000 - 60 sec.
Shutter start delay 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30 sec.
Silent Mode Settings Settings for sound, AF illuminator, and flash can be customised (default setting is Off for all three)

Live Bulb /. Live Time

Update interval time 0.5 sec. - 60 sec.

Live Composite

Update interval time / composite method 0.5 sec. - 60 sec. / Lighten Mode (Bright area prioritisation)

Interval Mode

Interval Mode Interval Time 1 sec. - 24 hours, Max 999 frames
Automatic creation of time-lapse movies possible

Multi Exposure

Number of picture / Function 2 frames / auto gain adjustment, exposure on recorded picture (RAW)

Multi Aspect

Aspect Ratio 4:3 (Default) / 3:2 / 16:9 / 1:1 / 3:4

One push Tele-converter

Magnification x2

Level Gauge

Detection 2-axis

Movie

Recording format MOV(MPEG-4AVC/H.264), AVI(Motion JPEG)
Mode / frame rate / compression method [MOV]
4096 x 2160 (C4K) / 24p / IPB (approx. 237 Mbps)
3840 x 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps)
1920x1080 (FHD) / 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
1920x1080 (FHD) / 60p, 50p / IPB (SF, F, N)
1280x720(HD) / 60p, 50p, 30p, 25p, 24p / ALL-I (A-I), IPB (SF, F, N)
60p: 59.94 fps, 50p: 50.00 fps, 30p : 29.97 fps, 25p : 25.00 fps, 24p: 23.98 fps, C4K 24.00 fps
FHD ALL-I (A-I: ALL-Intra / approx. 202 Mbps), FHD IPB (SF: SuperFine / approx. 52 Mbps, F: Fine / approx. 30 Mbps, N: Normal / approx. 18 Mbps)
HD ALL-I (A-I: ALL-Intra / approx. 102 Mbps), HD IPB(SF : SuperFine / approx.26Mbps, F:Fine / approx.14Mbps, N : Normal / approx.10Mbps)

[AVI]
HD (1280x720) / 30p
  • Frame rates may drop when particular Art Filters and Movie Effects are used.
  • Speed Class 10 SD card is recommended for shooting movies.
  • UHS-II or UHS-I Speed Class 3 card is recommended for 4K, C4K, ALL-I shooting.
Maximum recording time [MOV] Approx. 29min
[AVI] HD: Approx. 7min[*]
  • Excluding when particular Art Filters are used
Art Filter Movie With (Frame rates may drop when certain Art Filters are used)
Movie Effect One-shot Echo / Multi-echo / Art Fade / Old Film
One-push Movie Digital Converter Approx. 3x (enlarges view of touched area)
Time Lapse Movie [AVI ]
3840 x 2160 (4K) / 5 fps
1920 x 1080 (FHD) / 5 fps, 10 fps, 15 fps
1280 x 720 (HD) / 5 fps, 10 fps, 15 fps, 30 fps
Clips 1, 2, 4, 8 sec.
(Further continued shooting possible up to 16 seconds by pressing movie record button again)
Quick Movie / Slow Movie With (this function is not available for videos with certain frame rates)
Image Stabilization for Movie M-IS1 (Image sensor shift and electronic image stabilizer with multi motion IS),
M-IS2 (Image sensor shift with multi motion IS), Off
  • While using M-IS1, field of view may be affected.
Grid Line / Focus Peaking 4 types of grid lines / 4 colours for focus peaking
Time code Rec run/free run, drop frame/non-drop frame
REC Bit With
Live View Output via HDMI Monitor Mode (outputs video and info display to a connected monitor)[1]
Record Mode (outputs video only, with no info display)[2]
  • 1 Info display is not shown on the camera while recording. Footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged). However, the image cannot be enlarged on the camera when a movie is being recorded.
  • 2 Movie quality is set to YCbCr 4:2:2, frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded.
Movie Picture Mode Flat
Exposure Control Programme AE, aperture priority AE, shutter priority AE, manual
AE Lock With

Recording (Sound)

Recording format Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
Microphone / Speaker Built-in stereo microphone / built-in mono speaker
  • External stereo microphone can be attached
Microphone function Wind noise reduction, recording volume, microphone volume limiter, Audio dubbing possible for still pictures (up to 30 sec.)
  • May affect audio quality.
IC recorder linkage Slate Tone / Synchronised Audio Rec-Movie Rec
  • LS-100 compatible

Wi-Fi Function

GPS info. Function Via smartphone GPS data
Wireless Shooting Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off
iAuto / ART / P / A / S / M (Live Bulb, Live Time, Live Composite) and drive mode can be selected.
Aperture, shutter speed, exposure, ISO sensitivity, white balance can be adjusted.
  • When in private connection
Image Share File Type: JPEG, MOV
Connect to up to 4 devices simultaneously. Marking function for image share.
Easy Connection QR code setting

Tethered shooting

Tethered shooting Via USB cable (camera can be operated by both PC or camera controls)

Playback

Playback mode Single-frame, information display, index display (4/9/25/100 frames), Clips, calendar, enlargement (2x - 14x), movie (with sound, FF/REW/Pause), picture rotation (auto), slideshow (with sound including BGM, Slide show effects, replaceable BGM), Light Box display
Information display Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF

Image Editing

Movie Editing function Trimming (beginning / end) / in-movie image extraction (4K only)
  • MOV format only
Editing function RAW data edit, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Aspect, e-Portrait, Image Overlay, Post recording
RAW data edit RAW data edit based on settings of the camera (including e-Portrait, Color Creator, Art Filter, ART-BKT). 2 programmable settings, preview capability.

Print

Print function Print reservation (DPOF), Direct print (PictBridge compatible)

Menu

Languages 34 languages selectable :
- English, French, German, Spanish, Italian, Japanese, Korean, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovakian, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Bulgarian, Rumanian, Indonesian, Malay, Thai

Custom

Mode dial my set Modes C1, C2, and C3 can be accessed by mode dial
Menu my set Modes C1, C2, and C3 can be accessed via the menu
Dial customization Dial function and dial direction are customizable for both dials
Lever Customization Select assignment from 3 different modes, power switch, or off (no function assignment)
Button Customization Buttons can be customized (select from 35 functions)
  • Buttons on lenses and HLD-9 power batter holder can also be customized from the camera
  • Some buttons may have restrictions to what functions can be assigned
Copyright Settings/Lens info Settings With / With (save up to 10 lenses)

Input / Output

USB USB Type-C
Remote controller connector φ2.5Pin Jack (when using separately available RM-CB2)
HDMI connector Micro HDMI (type D)
Flash attachment Hot shoe, sync terminal
Wireless LAN Built-in (IEEE 802.11b/g/n)
Microphone input jack φ3.5 stereo mini jack (plug-in power on/off)
Headphone connector φ3.5 stereo mini jack
PC interface Super Speed (USB3.0)

Power Requirements

Battery BLH-1 Li-ion battery (included)
Battery status display Remaining power (4 steps, %, or by-minute display), shot count, degradation
Power Battery Holder HLD-9 power battery holder is separately available (holds one BLH-1 battery).
AC Adapter AC-5 AC adapter is separately available (connects to power battery holder HLD-9 to provide power to camera).
Sleep mode With (1 / 3 / 5 min. off)
Number of recordable images Approx. 440 shots (using BLH-1 and Toshiba SDHC UHS-I Card Exceria with IS ON, with no flashes attached, based on CIPA test standards) Approx. 950 shots (using quick sleep mode, under Olympus testing conditions based on CIPA test standards)
Battery life for movie recording

Approx. 90 minutes (under standard JEITA testing)

Approx. 150 minutes (when zoom and other operational functions are not used)

  • *When repeatedly recording at the maximum time of 29 minutes

Dimensions / Weight

Dimensions W: 134.1 mm, H: 90.9 mm, D: 68.9 mm (based on CIPA standards: excludes protrusions)
Weight Approx. 574 g (with BLH-1 battery and Memory card, based on CIPA standards)
Approx. 498 g (body only)

Operating Environment

Temperature -10? ~ +40? (when in operation) / -20 ~ +60? (when stored)
Humidity 30 - 90% (when in operation) / 10 - 90% (when stored)

Box contents

Box contents Body, USB cable, cable clip, shoulder strap, instruction manual, warranty card, FL-LM3 flash, BLH-1 Li-ion battery, BCH-1 rapid Li-ion battery charger


Olympus M.Zuiko Pro 12-100mm F4.0 Black Lens Specifications

Focal Length 12-100mm (35mm equivalent focal length: 24-200mm)
Lens Construction
17 Elements in 11 Groups (1 DSA lens, 3 Aspherical lenses, 5 ED lenses, 2 Super HR lenses, 1 HR lens)
Lens construction diagram
MTF chart
Splashproofing Dustproof and splashproof construction
Focusing System High-speed imager AF (MSC)
Angle of View 84 degrees (wide) - 12 degrees (tele)
Closest Focusing Distance 0.15m (wide) / 0.45m (tele)
Maximum Image Magnification 0.15m (wide) / 0.45m (tele)
35mm Equivalent Maximum Image Magnification 0.6x (wide) / 0.42x (tele)
Minimum Field Size 57.7 x 43.3 mm (wide) / 82.4 x 61.9 mm (tele)
Number of Blades 7 (circular aperture diaphragm)
Maximum Aperture f/4
Minimum Aperture f/22
Lens IS Mechanism VCM
IS Performance 5-axis Sync IS: 6.5 stops
(As of September 2016. According to CIPA standards. When attached to the OM-D E-M1 Mark II, with yaw and pitch applied to the camera, half-press IS set to Off, and focal length set to 100mm)
Lens IS: 5 stops
(When focal length is set to 100mm)
Filter size Diameter: 72 mm
Lens hood Screw-on type
Dimensions Ø77.5 x 116.5 mm
Weight 561 g
Box Contents LH-76B Lens Hood, LC-72C Lens Cap, LR-2 Lens Rear Cap, LSC-0914 Lens Case, instruction manual, warranty card

 

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